But in the end, the album is a winner simply due to Ward's unique voice and talent as a songwriter. Indeed, the hit and miss nature of Transistor Radio makes it seem more like a compilation of songs rather than a cohesive album. Most of Transistor Radio highlights this sort of dichotomy between beautiful, new directions and treading older territory, with mixed results. Ward moments, with a beautiful acoustic strum hiding underneath Ward's silky voice. Thankfully, "Paul's Song" returns to the finer M. "Four Hours in Washington" is simply far too similar to "Sad, Sad Song" from Transfiguration for this listener not to take notice. "Sweethearts on Parade," "Fuel for Fire," and "Four Hours in Washington" follow as the album moves along, but are unfortunately weaker versions of previously released songs. "You Still Believe in Me," a simple guitar instrumental reminiscent of his debut album End of Amnesia, opens the album and leads into the relatively new terrain of old-timey sing-alongs with "One Life Away." With backing vocals courtesy of touring pal Jim James (of My Morning Jacket), the duo finds a very common ground, mixing early country guitar work with vocal harmonies that recall the finest songs by the Carter Family. At 16 tracks, Transistor Radio is a comprehensive workout in M. While not as strong as Transfiguration, the album might just be the ticket Ward needs to find himself where he belongs.at the top of the modern folk rock scene. Ward's latest release, luckily benefits from all of his hard work over the last two years. Ward will not modify his unique talents to meet the demands of the marketplace. If 'Transistor Radio' makes a star of him, it's a good bet that M. It's simply an album that is too good to escape the attention of a broader audience. Ward's music has an element of yesteryear, and luckily for us, he had to win over fans show by excellent show and by word of mouth. 'Transistor Radio' may change Ward's cult hero status, whether he likes it or not. Back 1947-51 Tube 3-Way Zenette Front 1959-60 Transistor Royal 100 Zenette. Came in 5 colors, black, off white, dark tan, yellow and green. With a cheaper case and subtle electronic changes, the 6 transistor Zenette was sold at 39.95. I was intruiged enough to hop on over to Amazon to see what more I could find out. His weathered tenor, often layered for maximum effect, cracks like well-worn vinyl and is especially vivid on airy highlights. Wards 'Transistor Radio' album in the 3/14 issue of Newsweek magazine. Ward's fourth studio album centers on intricate six-string work, with steel guitar and bluegrass-inspired fingerpicking, and gales of distortion giving it all an indie rock glow. Check out Transistor Radio reviews, ratings, and more details at Amazon.in. Ward's previous album) received very little attention upon its release in 2003. Zenith needed to stay in competition as transistor radio prices kept dropping. Amazon.in: Buy Transistor Radio online at low price in India on Amazon.in. So it should come as no surprise that Transfiguration of Vincent (M. His music is very much of-the-moment, yet sounds completely out of step with time.Some of the best artists are the ones that don't come riding a wave of overexposure. Wards records have a cut-and-paste quality but are as musically diverse as, say, Calexico. As they are here, theyre delicate country-folk songs, some of the best released so far this year. Given a slick makeover by Norah Jones or Linda Rondstadt, Here Comes The Sun Again and Ill Be Yr Bird could hold their own on the charts. Side B is a meditative set of two-and-a-half minute strummers. 1 suggests theme music for an acid-fueled romp through the Southwest, while Big Boat sounds like what might have happened if the Beatles had written Cripple Creek Ferry. The following track, One Life Away (a duet with My Morning Jackets Jim James), is a catchy old-time number fed into a 4-track for a scratchy-78 effect. Ward's discography including top tracks, albums, and reviews. Side As instrumental opener You Still Believe In Me features Wards light-fingered plucking backed by an echo. Regardless of the format, the music is blatantly separated into two parts: sixteen songs, eight to a side. Ward stresses that Transistor Radio was intended for vinyl, but for practical purposes was released on CD.
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